Cradle of Filth

Cradle of Filth are an English extreme metal band, formed in Suffolk in 1991. The band's musical style evolved from black metal to a cleaner and more "produced" amalgam of gothic metal, symphonic black metal, and other extreme metal styles, while their lyrical themes and imagery are heavily influenced by gothic literature, poetry, mythology and horror films.

The band has broken free from its original niche by courting mainstream publicity (often to the chagrin of its early fanbase), and this increased accessibility has brought coverage by the likes of Kerrang! and MTV, frequent main stage appearances at major festivals such as Ozzfest, Download, and even the mainstream Sziget Festival, and in turn a more "commercial" image. They have sometimes been perceived as satanic by casual observers, although their outright lyrical references to satanism are few and far between, and use of satanic imagery has arguably always had more to do with literary allusion and the shock value than any seriously held beliefs.

History

Cradle of Filth's first three years saw three demos (Invoking the Unclean, Orgiastic Pleasures Foul and Total Fucking Darkness) recorded amidst the sort of rapid line-up fluctuations that have continued ever since, the band having more than twenty musicians in its history. An album entitled Goetia was recorded prior to the third demo and set for release on Tombstone Records, but all tracks were wiped when Tombstone went out of business and could not afford to buy the recordings from the studio.[1] The band eventually signed to Cacophonous Records and their debut album, The Principle of Evil Made Flesh, was also Cacophonous's first release in 1994. A step-up in terms of production from the rehearsal quality of most of their demos, the album was still nevertheless a sparse and embryonic version of what was to come, with lead singer Dani Filth's vocals in particular bearing little similarity to the style he was later to develop. The album was well-received however, and as recently as June 2006 found its way into Metal Hammer's list of the top ten black metal albums of the last twenty years.

Cradle's relationship with Cacophonous soon soured; the band accusing the label of contractual and financial mismanagement. Acrimonious legal proceedings took up most of 1995,[2] and the band finally signed to Music for Nations in 1996 after only one more contractually obligated Cacophonous recording: the EP V Empire (Or Dark Faerytales in Phallustein) which, it has since been conceded, was hastily written as a Cacophonous escape-plan.[2] Despite the circumstances of its release however, its handful of tracks are staples of the band's live sets to this day, and "Queen of Winter, Throned" was listed among twenty-five "essential extreme metal anthems" in a 2006 issue of Kerrang! magazine.[3] The EP also marked Sarah Jezebel Deva's debut with the band, replacing Andrea Meyer, Cradle's first female vocalist and self-styled "satanic advisor".[4] Deva appeared on every subsequent Cradle release and tour until Darkly, Darkly, Venus Aversa, but was never considered a full band member, since she also performed with The Kovenant, Therion and Mortiis, and fronted her own Angtoria project along with Cradle's current bass player, Dave Pybus.


Dusk... and Her Embrace followed the same year: a critically acclaimed breakthrough album that greatly expanded the band's fan-base throughout Europe and the rest of the world.[5] A concept album of sorts based generally on vampirism and specifically (though loosely) on the writing of Sheridan Le Fanu, Cradle's inaugural album for Music for Nations set the tone for what was to follow. The album's production values matched the band's ambition for the first time, whilst Dani's vocal gymnastics were at their most extreme.

The increasingly theatrical stage shows of the 1997 European tour helped keep Cradle in the public eye, as did a burgeoning line of controversial merchandise; not least the notorious t-shirt depicting a masturbating nun on the front and the slogan "Jesus is a cunt" in large letters on the back. The t-shirt is banned in New Zealand,[6] a handful of fans have faced court appearances and fines for wearing the shirt in public, and some band members themselves attracted a certain amount of hostile attention when they wore similar "I Love Satan" shirts to the Vatican.[7] Alex Mosson, the Lord Provost of Glasgow from 1999–2003, called the shirts (and by implication the band) "sick and offensive". The band obviously approved, using the quote on the back cover of the 2005 DVD Peace Through Superior Firepower.
The infamous "Vestal Masturbation" t-shirt design.

In 1998, Dani began his long-running "Dani's Inferno" column for Metal Hammer, and the band appeared in the BBC documentary series Living With the Enemy (on tour with a fan and his disapproving mother and sister)[8] and released its third full-length album Cruelty and the Beast. A fully realised concept album based on the legend of the "Blood Countess" Elizabeth Bathory, the album boasted the casting coup of Ingrid Pitt providing guest narration as the Countess: a role she first played in Hammer's 1971 film Countess Dracula. The album led to Cradle's U.S debut,[9] and Dani claimed it in 2003 as the Cradle album of which he was most proud, although he conceded dissatisfaction with its sound quality.[10]
Paul Allender left the band late in 1994, but rejoined in 2000 for Midian.

The following year the band continued primarily to tour, but did release its first music video, PanDaemonAeon, and an accompanying EP, From the Cradle to Enslave, featuring the music from the production. Replete with graphic nudity and gore, the video was directed by Alex Chandon, who would go on to produce further Cradle promo clips and DVD documentaries, as well as the full-length feature film Cradle of Fear. The band released their fourth full-length studio album on Hallowe'en, 2000. Midian was based around the Clive Barker novel Cabal and its subsequent film adaptation Nightbreed.[11] Like Cruelty and the Beast, Midian featured a guest narrator, this time Doug Bradley, who starred in Nightbreed but remains best known for playing Pinhead in the Hellraiser films. Bradley's line "Oh, no tears please" from the song "Her Ghost in the Fog" is a quote of Pinhead's from the first Hellraiser ("No tears, please. It's a waste of good suffering...")[12] and Bradley would reappear on later albums Nymphetamine, Thornography, and Godspeed on the Devil's Thunder. The video for "Her Ghost in the Fog" received heavy rotation on MTV2 and other metal channels, and the track also found its way onto the soundtrack of the werewolf movie Ginger Snaps (it would also feature, much later, in the video game Brütal Legend).

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